Monday, July 11, 2011


WE ARE PROUD TO ANNOUNCE THE PUBLICATION OF OUR NEW ENGLISH TITLE IN INDOLOGY SECTION NAMED INDIAN ART AND ICONOLOGY BY DR. ASOK K BHATTACHARYA, formerly of the Department of Ancient Indian History and Culture, Calcutta University, is an eminent art historian, specializing in Indian art and architecture.


Indian Art And Iconology By Dr. Asok K Bhattacharya

This publication contains fifteen essays on ancient and medieval Indian art, arranged in two sections in view of their distinct approaches to the subject. Essays of the first section deal with the formal aspects, relying chiefly on stylistic developments ensued in various phases of history from such factors as foreign contact, religious enthusiasm and social upheaval. Deliberated issues comprise the West Asiatic impact on Asokan sculpture, type and content of the Bengal terracotta figurines belonging to the Shunga-Kushana period, stamp of Gandhara style on the Gupta classical sculpture, patrons’ role in determining the character of the Ajanta painting, the ‘mannerist’ trend in the eighth-ninth century Ellora sculpture, the socio-political and cultural factors behind the emergence of a new aesthetic vision marked as ‘Medievalism’, and several other important ones. Experiences world over show that in pre-modern civilizations art drew its inspiration chiefly from religion, and India was no exception. Innumerable gods and goddesses carved and cast in ancient and medieval days include such images which require special attention to explain their theological significance. So long images were studied by the iconologists whose concern was to identify and trace the evolution of an icon by analysing its signs and symbols. This anthology in its second section, entitled Iconology, goes further a step to interpret the philosophical content and genesis of each individual icon. The treated gods and goddesses include Brahmanical Devi Mahishasura-mardini, Lingodbhava Shiva, Vishnus of the Pancharatra cult, amorous Surasundaris of the medieval temples, and the embracing Vajrayana Buddhist gods and goddesses known by the generic term Yuganaddha, among others. Each of the essays in its own way studies Indian art from new perspective and throws light to stimulate the reader to look at its objects from distinct viewpoints, fresh and unprejudiced.


ASOK K. BHATTACHARYA Dr. Asok K. Bhattacharya, formerly of the Department of Ancient Indian History and Culture, Calcutta University, is an eminent art historian, specializing in Indian art and architecture. He writes in English and Bengali, both for general readers and connoisseurs in the subject. He has served many Universities and Central and State Government institutions as an expert in art and antiquity. He was a Vice-President of the Asiatic Society, Trustee of Indian Museum and member of the West Bengal Heritage Commission. He is an adviser to the Directorate of Archaeology and Museums, West Bengal. Dr. Bhattacharya has published many articles in learned journals and Volumes, including A Comprehensive History of India (Vol. III, Part II), Jaina Art and Architecture (Vol. III), Cultural Heritage of India (Vol. VII) and Banglapaedia (Encyclopaedia of Bangladesh). Some of his monographs are Chitralakshana : A Treatise on Indian Painting (1974), Technique of Indian Painting (1976), East Indian Bronzes (Co-author) (1979), The Jhewari Bronze Buddhas (1987), Calcutta Paintings (1994), Banglar Chitrakala (In Bengali) (1994), Jamini Roy (An Album) (1996), Rakhaldas Bandyopadhyay (1999), The Arts and Crafts of Myanmar (2006) and Debabrata Mukhopadhyay : Drawings and Paintings (2007).


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